I have a openings in all of my Autumn Classes. I am teaching at the Arts in Great Falls and in my home studio in Mount Vernon. Please click on the links to find out more information.
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I have written before about why I teach, today I want to share my underlying philosophy of how I teach.
There are many ways to teach oil painting
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This past February I was surprised and honored when I received an invitation to participate in a special exhibition at the Bennington Art Center in Bennington Vermont. The exhibition, Artists for the New Century, takes place every five years and the artists invited are nominated by the editors of American Art Collector, Art of the West, Fine Art Connoisseur, Plein Air Magazine, and Southwest Art.
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Elevating everyday moments into fine art
In 2012, my husband helped me narrow down my art philosophy into this distinct and simple statement. Five years later it still holds true today. It is my goal to celebrate and live with intention, and to bring this sense of life to my creative process of painting.
In the last year so much has changed, but still this underlying principle holds, and I still come to art with the deep desire to share my love of simple things and elevate these experiences into fine art. 2017 has been a year of transition and growth, and today marks an important anniversary for my own path as an artist.
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“Expression implies emphasis and selection”
I am not sure where I first came across this quote, however I had it posted in my studio for several years to remind me daily of this idea. To me the idea that “expression implies emphasis and selection” is what the creative process is all about.
In order to synthesize my experience into a work of art, I need to investigate it and then choose how I will express my interpretation of the scene.
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When I first started painting with oil in late 2006, I struggled to understand and apply everything about the medium all at once, but when I switched my mindset from having to focus on everything all together to narrowing my attention to mastering one fundamental of painting at a time, things really began to take off for me.
Before that time, each painting experience had the potential of becoming emotionally discouraging and also a disaster in outcome, you know, making a bunch of mud. And in the beginning, the time I had to devote to learning to paint was precious, because I was still working as a full-time architect.
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Are you interested in learning to realistically paint with oils with a great deal of personal attention?
If so, I will be teaching three classes this autumn.
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Peaches and Quilt
Whenever I want to revel in color and luscious and thick paint, I paint peaches. There is something so warm and yummy about painting peaches.
Emotionally peaches remind me of summer and my grandfather
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Sunburst Lemon Aura Sunflower
A lovely new hybrid sunflower growing in my garden this summer.
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"Sisa" Dahlias
It is always exciting when flowers I dreamed about and ordered in the spring begin blooming. This year I ordered 23 different dahlia tubers, and the variety "Sisa" is the first to really take off and bloom for me.
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Morning Ramble, 20 x 16 inches
When I began this painting, I first completed a scaled color-study of the composition.Because I was working from a photo reference, I wanted to explore a few ideas and experiment on how I was going to simplify the busy and information filled background.
Something you may know about me, is that I am SUPER fascinated with detail, lots of texture, and complex shapes. However, detail and texture must be incorporated thoughtfully into a painting or else it will overwhelm the composition.
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Friendship
This is a painting of my daughter, Naomi, with her friend, Kiaya. They were two-year-olds when they first met in September 2013, and they have regularly been weekly playmates since then.
This double portrait is my personal exploration of their friendship, and a summer-time play date from last June (2016).
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The garden is a variety of blooms now, mainly my heat loving zinnias and sunflowers.
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Morning Ramble
Last year in early June, my old garden was blooming well. Sweet Williams had taken over a corner of my flowerbeds, the chives I had separated and planted in a row, trying to create a bordering edge the year before were a riot of blooms, and everything else was green and lush. The garden was getting ready for the height of late June.
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Ringtone and Flower Record Daffodils
In my quest to always paint the flowers that I grow in my garden, about three years ago, I began reading more about gardening. The magazine that has had the most influence on me in the last few years is the British periodical, "Gardens Illustrated" and as a result of religiously reading this magazine from cover to cover, I have begun to realize how helpful it is to use the correct names for the different plants and flowers I grow.
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Peonies Festiva Maxima and Flower Bud
This is a painting I began on my own in the studio, and then demonstrated to my Saturday morning students how I finish a piece. Sometimes this final phase where I am tying up loose ends and trying to unify a piece can take extra time to resolve. So after the 3-hour class was over, I continued on a bit more adding the finishing touches.
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Hello,
I want to share with you all that is going on right now in the studio.
First off, I am preparing for a museum exhibition at the Bennington Center for the Arts in Vermont. The exhibition will open in September 2017 and run through December 2017, and I will post more about it as time gets closer and I have finally finished the painting for it.
Secondly, I have finalized my teaching schedule.
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