Work in Progress – Created with Love: Phase 2
In the first phase of completing this painting, I focused on the amaryllis bloom. As soon as I got to a certain point, I was ready to tackle the quilt in its entirety.
{first day working on the quilt background}
I knew this would take A LOT of time and effort, however I LOVE painting drapery and fiddling with the minutia of shifts in value found in painting cloth.
My decision to tackle the quilt in a somewhat organized manner, working in adjacent areas most of the time was helpful in making sure that the overall continuity of the colors and values would read as a whole, even thought it took almost 9 long painting sessions to get the first layer of the quilt completed down.
{moving forward with one section at a time}
After working for two long days on the quilt, I needed some immediate gratification in the last hour of my painting session, so I moved down to the lay-in the antique suitcase I got from Steve's grandmother.
{moving a bit further along}
By the end of this session, I had figured out about how long it would take to complete one of the four sides that make up each double wedding ring, and was able to estimate how much time I would need to cover the entire canvas.
This type of hyper-intensive attention to detail also takes a lot of mental energy. And the best way to remain fresh over a long day of painting is to plan on only focusing on one area at a time, and when your brain starts to turn to mush and you no longer care if you are getting it right. This is the time when you take a break. Deep work is mentally fatiguing and to stay on top of your game, means listening to yourself.
The type of breaks I like best to take when I want to mentally refuel my mind is to get on the yoga mat and complete a series of stretches. I think this type of break is the best for resting and recharging, for me it usually takes anywhere from 15 to 30 minutes of resting my eyes and stretching to be ready to start again.
{Almost all covered}
{first pass of the quilt completed}
At the end of this painting session, the canvas was finally covered and I could begin to plan how to further refine the painting and make it read a bit better. For this painting I used a lead white with a walnut oil binder, so it was taking a while for my white layers to completely dry, which, was fine with me because I needed some time to map out the next and hopefully final stage.